ARNOLD JOHN KAPLAN PHOTO SCENIC OF THE MONTH - DECEMBER
ARNOLD JOHN KAPLAN PHOTO SCENIC OF THE MONTH - DECEMBER
90 plus year young, Arnold traveled to Vermont for a week in October. I had to laugh when he sent me his 2009 shot of Waits River. I have made two trips there to get that shot with nice, full, colorful foliage in the background. Not much luck.
Maybe God has simply reserved this one for you, Arnold
Here is Arnold's most recent personal "take" on his own "WAITS RIVER PHOTO SCENIC"
Maybe God has simply reserved this one for you, Arnold
Here is Arnold's most recent personal "take" on his own "WAITS RIVER PHOTO SCENIC"
Last edited by Andy on Sun Sep 19, 2010 7:53 pm, edited 2 times in total.
Andy
If it sounds too good to be true, its probably . . . .
If it sounds too good to be true, its probably . . . .
ARNOLD'S NARRATIVE:
Description:
This scene is known as a perfect composition when takeen from the right angle. It consists of a very small village along the main highway (Route 25). There is a small road off the main highway which makes a leading lineup to the white church and barns for the famous composition but you can find other angles if you look around. The best time of day to shoot this scene is from morning to early afternoon with the sun on the front of the church and barns.
Directions:
Located approximately 12 miles west of Bradford, Vt., on Route 25 West from either Route 91 or Route 5.Stop in front of the Waits River church on Route 25. Just oposite the church, there is a small road going down a hill. Drive or walk down beyond the bottom of the hill. Look back and you will see the famous Waits River scene.. Then drive or walk up the remainder of the hill for a different angles of the road and thru the trees.
Problem:
There is one big problem with this beautiful scene today. The telephone company was not notified that it was an Iconic Vermont photo scene and they have installed a couple of telephone poles and several wires in the sky area of the scene. However, if you take the time you can easily clone out the poles and wires. The photo of this scene here, originally had the poles and wires in it.
Description:
This scene is known as a perfect composition when takeen from the right angle. It consists of a very small village along the main highway (Route 25). There is a small road off the main highway which makes a leading lineup to the white church and barns for the famous composition but you can find other angles if you look around. The best time of day to shoot this scene is from morning to early afternoon with the sun on the front of the church and barns.
Directions:
Located approximately 12 miles west of Bradford, Vt., on Route 25 West from either Route 91 or Route 5.Stop in front of the Waits River church on Route 25. Just oposite the church, there is a small road going down a hill. Drive or walk down beyond the bottom of the hill. Look back and you will see the famous Waits River scene.. Then drive or walk up the remainder of the hill for a different angles of the road and thru the trees.
Problem:
There is one big problem with this beautiful scene today. The telephone company was not notified that it was an Iconic Vermont photo scene and they have installed a couple of telephone poles and several wires in the sky area of the scene. However, if you take the time you can easily clone out the poles and wires. The photo of this scene here, originally had the poles and wires in it.
Andy
If it sounds too good to be true, its probably . . . .
If it sounds too good to be true, its probably . . . .
And I (wouldn't you know??) just had to add my own comment:
The original iconic scenic was more "rustic." Since Arnold first captured this image, The house in the background on the right has had its original roof (with its weathered "patina") redone with a bright green standing seam metal roof. Ugh!! (sorry, homeowner, I am sure you proudly picked it ). The bridge rails were recently re-done, which means they need a couple years to weather. And power lines and gas stubs are everywhere. I know--from my own personal experience--that a significant amount of photoshop clone and cleanup work is necessary to make this photo look as it does here.
Which begs some questions. As a photographer, how much post-processing are you willing to do -- or do you want to do?
And, where is the line drawn between perjorative "manipulation" and just post processing to make the photograph presentable? I know where I stand. You can see that I have done just as much "work" cleaning up on MY Waits River IMAGE.
Thanks for this month's image, Arnold!
The original iconic scenic was more "rustic." Since Arnold first captured this image, The house in the background on the right has had its original roof (with its weathered "patina") redone with a bright green standing seam metal roof. Ugh!! (sorry, homeowner, I am sure you proudly picked it ). The bridge rails were recently re-done, which means they need a couple years to weather. And power lines and gas stubs are everywhere. I know--from my own personal experience--that a significant amount of photoshop clone and cleanup work is necessary to make this photo look as it does here.
Which begs some questions. As a photographer, how much post-processing are you willing to do -- or do you want to do?
And, where is the line drawn between perjorative "manipulation" and just post processing to make the photograph presentable? I know where I stand. You can see that I have done just as much "work" cleaning up on MY Waits River IMAGE.
Thanks for this month's image, Arnold!
Andy
If it sounds too good to be true, its probably . . . .
If it sounds too good to be true, its probably . . . .
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Carol: I am not surprised you spent 2 hours. I probably spent at least that long on my own. This shot has lots of distracting, man-made elements and they are all "fiddly." In my shot, there was an orange gas pipe vent in the foreground, power lines (they may have been the most difficult), the stop sign, an open door on the barn of the left with some modern toys showing, some new wood on the big barn, and the new roof of the white house. There was also a temporary electric fence with those yellow screw on insulators on metal posts. Heck, it probably would have been easier to clone out the church and barns
Nice, intimate "take" on the scene, Carol.
Nice, intimate "take" on the scene, Carol.
Andy
If it sounds too good to be true, its probably . . . .
If it sounds too good to be true, its probably . . . .